Hello,
I am doing part writing exercise. I got it back and the teacher says I need to fix the parallel octaves. I am not sure how to do that because I cannot change the bass. Should I make the V chord in the first inversion? But then I will have an Augmented second problem.
Thanks
https://imgur.com/a/FTWYM2e
Quick Part Writing Question
Moderators: Peter Thomsen, miker
- Peter Thomsen
- Posts: 6601
- Joined: Fri Jul 25, 2003 6:47 pm
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1) I am not sure about the rules you are supposed to follow.
You tell that you “cannot change” the Bass.
What about the other parts?
Can you change the Soprano?
Can you change the Alto?
Can you change the Tenor?
If you can change the Alto, then you could fix the parallel octaves by letting the Alto go from ‘e’ down to ‘c’ (if that is allowed?).
2) By The Way:
In the next measure, on the ii°6 chord, I suggest that you let the Tenor have a ‘d’ - an octave above the Bass.
You tell that you “cannot change” the Bass.
What about the other parts?
Can you change the Soprano?
Can you change the Alto?
Can you change the Tenor?
If you can change the Alto, then you could fix the parallel octaves by letting the Alto go from ‘e’ down to ‘c’ (if that is allowed?).
2) By The Way:
In the next measure, on the ii°6 chord, I suggest that you let the Tenor have a ‘d’ - an octave above the Bass.
Mac OS X 12.6.9 (Monterey), Finale user since 1996
- Michel R E
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this really isn't the place to have people do your homework for you.
if people make suggestions, we should try to avoid giving "answers to exams".
if people make suggestions, we should try to avoid giving "answers to exams".
User of Finale since version 3.0 on Windows.
Now using a mix of Finale 2012, Finale 25, and 26.1
GPO, Garritan Solo Stradivari violin, Gofriller Solo Cello.
XSamples Chamber Ensemble.
Absolute convert to NotePerformer3.
Now using a mix of Finale 2012, Finale 25, and 26.1
GPO, Garritan Solo Stradivari violin, Gofriller Solo Cello.
XSamples Chamber Ensemble.
Absolute convert to NotePerformer3.
- motet
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I'm happy to see that voice leading is still being taught! I sing in an amateur chorus and it's kind of shocking what passes as acceptable for publication these days. Parallel fifths etc. are especially jarring when you're singing one of the parts. Likely the composers are keyboardists who haven't learned to think linearly.