Expression Tool
Moderators: Peter Thomsen, miker
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- Posts: 1
- Joined: Tue Feb 09, 2021 10:34 pm
- Finale Version: Finale 2011
- Operating System: Windows
I'm working on some music and I am trying to get my saxophone section (consisting of 2 alto saxes, 2 tenor saxes, and 1 bari sax) to play only the 2nd time through on a repeat. I have tried using the expression tool and creating my own expression following all the steps I could find. However, all I can manage to do is make the whole section extremely quiet for both times through. Can anyone help me figure out why this is? Thanks!
- zuill
- Posts: 4418
- Joined: Sat Dec 10, 2016 9:35 pm
- Finale Version: Finale 2011-v26.3.1
- Operating System: Windows
Seeing a file would help. However, the very quiet result is a known issue with using instruments such as Garritan. The normal method is to have the expression set the Velocity to 0 (zero). However, the result is a very quiet sound. I have found that a better method is to use an Expression to change the Channel of the instrument to an unused channel. Afterward, you need to have an Expression to change it back.
Zuill
Zuill
Windows 10, Finale 2011-v26.3.1
"When all is said and done, more is said than done."
"When all is said and done, more is said than done."
I use an expression that sets continuous controller 7 (volume) to zero to shut off the channel's sound; a second controller 7 expression is used to restore it.
Finale 27, Windows 10, VST: Vienna Instruments/Ensemble/Synchron, Cubase, Kontakt 5
Depends on what I set it to originally. As I recall there was a bug in the system: if the number in the score manager volume column is set to something other than the default 101, cc7 will change by a percentage of that number. As an example, set the score manager volume to 80: cc7 will drop to 79. Then insert a cc7 expression of 100 ... and it will remain at 79, the volume being capped by the score manager setting. This only seems to happen if the volume is set in the score manager column, not in the actual graphical mixer window. If the default volume in the score manager is left at 101 any cc7 expression changes will be correct and absolute - even up to 127. I'm not sure why it works that way (maybe I'm missing something), but I reported this to Coda years ago.
Finale 27, Windows 10, VST: Vienna Instruments/Ensemble/Synchron, Cubase, Kontakt 5
- zuill
- Posts: 4418
- Joined: Sat Dec 10, 2016 9:35 pm
- Finale Version: Finale 2011-v26.3.1
- Operating System: Windows
I have had issues using the Volume method, as I recall. I suppose that's why I use the Change Channel method, as it works pretty much 100% of the time. I can't recall a spot where it didn't work.
Zuill
P.S.: I just tested the Controller 7 (Volume) approach. Even though the Instrument Volume was set to 101 in the Score Manager, in the Aria window, it appears that the slider is closer to 110. I created an Expression set to 101, and that was lower than the Aria slider. An Expression set to 110 matched the Aria slider position. It says -2db, but the actual CC7 amount is not displayed anywhere.
Zuill
P.S.: I just tested the Controller 7 (Volume) approach. Even though the Instrument Volume was set to 101 in the Score Manager, in the Aria window, it appears that the slider is closer to 110. I created an Expression set to 101, and that was lower than the Aria slider. An Expression set to 110 matched the Aria slider position. It says -2db, but the actual CC7 amount is not displayed anywhere.
Windows 10, Finale 2011-v26.3.1
"When all is said and done, more is said than done."
"When all is said and done, more is said than done."
- ebiggs1
- Posts: 1434
- Joined: Tue Dec 06, 2016 8:57 am
- Finale Version: Finale 27.3
- Operating System: Windows
I know it has it own pain but I have gone to making two files. One for the score and one for the sound. I would write out the repeats instead of using a repeats for the sound file. Of course the score file is what the musicians will use and play from. With a separate sound file you can make any instrument do just about what you want it to without issues or big changes.
Finale 27.4.1 - Perfect Layout Silver - Note Performer 4.4 - SmartScore Pro 64 - Windows 11
President, The Shawnee Concert Band, Composer/Arranger, retired Music Teacher.
President, The Shawnee Concert Band, Composer/Arranger, retired Music Teacher.
It's a mystery to me. The Vienna Ensemble player used for my Vienna samples displays both pitch and expression, which is how I tested this. However before switching to VST I had the same issue with my synths - setting the score manager mixer to less than 101 capped the cc7 volume, with the resultant problem I described (any cc7 expression would be changed by a percentage of the score manager setting).zuill wrote: ↑Thu Feb 11, 2021 3:58 amI have had issues using the Volume method, as I recall. I suppose that's why I use the Change Channel method, as it works pretty much 100% of the time. I can't recall a spot where it didn't work.
Zuill
P.S.: I just tested the Controller 7 (Volume) approach. Even though the Instrument Volume was set to 101 in the Score Manager, in the Aria window, it appears that the slider is closer to 110. I created an Expression set to 101, and that was lower than the Aria slider. An Expression set to 110 matched the Aria slider position. It says -2db, but the actual CC7 amount is not displayed anywhere.
Given the vagaries of Finale's control interrelations, your method of switching channels would probably work best for people using Garritan/Aria.
Finale 27, Windows 10, VST: Vienna Instruments/Ensemble/Synchron, Cubase, Kontakt 5