adjust alignment of grace notes
Moderators: Peter Thomsen, miker
- Peter Thomsen
- Posts: 6632
- Joined: Fri Jul 25, 2003 6:47 pm
- Finale Version: Finale v27.4
- Operating System: Mac
It is not clear to me what you mean.
Here are two examples:
A: Big measure width, bass notes evenly spaced
B: Small measure width, bass notes un-evenly spaced
A or B?
- Attachments
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- SpacingA.jpg (11.49 KiB) Viewed 2451 times
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- SpacingB.jpg (10.52 KiB) Viewed 2451 times
Mac OS X 12.6.9 (Monterey), Finale user since 1996
- Shinohara 1027
- Posts: 32
- Joined: Sat Apr 22, 2023 3:08 pm
- Finale Version: Finale v27.4
- Operating System: Mac
Hello, rjawad1.
In principle, grace notes are considered to have no rhythmic duration, and unless there is a collision, other voices do not need to leave space for the grace notes. This is handled in a similar way to accidentals.
However, in addition to the rules of music engraving, there may be performance interpretation issues similar to the one you raised.
The following image compares different editions of the same piece from IMSLP. Depending on the publisher, the handling of the ornamentation varies. In fact, there is a disputed interpretation regarding the starting position of this ornamentation, making it a great example of how musical notation can influence performance. I also reviewed Peter's suggestions. However, in Option A, evenly widening the spacing may result in an uneven distribution of other measures within the same system. In Option B, as mentioned earlier, as long as there is no collision, the original spacing of other voices should not be compromised for the sake of grace notes.
So here, I would like to propose two solutions as well. Firstly, to keep the original notation unchanged and add asterisks above it, with performance annotations written at the bottom of the page. Secondly, if it is your own composition and you want to explicitly indicate the performance technique, such as playing on the beat, you can use the method shown in the image below. However, perhaps the notation I presented is not exactly what you are looking for. It is just a suggestion to provide some ideas for reference. In general, unless there is a specific reason, it is recommended to follow the principles mentioned above and stick to the original style. I hope the above information can be helpful to you
Sincerely
廿七
In principle, grace notes are considered to have no rhythmic duration, and unless there is a collision, other voices do not need to leave space for the grace notes. This is handled in a similar way to accidentals.
However, in addition to the rules of music engraving, there may be performance interpretation issues similar to the one you raised.
The following image compares different editions of the same piece from IMSLP. Depending on the publisher, the handling of the ornamentation varies. In fact, there is a disputed interpretation regarding the starting position of this ornamentation, making it a great example of how musical notation can influence performance. I also reviewed Peter's suggestions. However, in Option A, evenly widening the spacing may result in an uneven distribution of other measures within the same system. In Option B, as mentioned earlier, as long as there is no collision, the original spacing of other voices should not be compromised for the sake of grace notes.
So here, I would like to propose two solutions as well. Firstly, to keep the original notation unchanged and add asterisks above it, with performance annotations written at the bottom of the page. Secondly, if it is your own composition and you want to explicitly indicate the performance technique, such as playing on the beat, you can use the method shown in the image below. However, perhaps the notation I presented is not exactly what you are looking for. It is just a suggestion to provide some ideas for reference. In general, unless there is a specific reason, it is recommended to follow the principles mentioned above and stick to the original style. I hope the above information can be helpful to you
Sincerely
廿七
thanks a lot for the advice. the chopin examples were very helpful. i was thinking something like option A that Peter gave, but after looking at the nocturne examples, maybe i'll just leave it alone.
v27.4.1, mac