Finale 2007c "Human playback" VS NO human playback
Posted: Sun Mar 14, 2010 9:04 pm
There are enormous differences in my situation between using Native Instruments VST and not using it for playback.
Nearly all dynamic setting change radically and without a discernable pattern when moving from one playback method to the other.
Currently NOT using Native Instruments VST gives me somewhat pleasant results but the volume is incredibly low. It's so low I have to turn my speakers up until I hear a system hum without playing anything. With N.I. VST the volume, in general, is where I would expect it but all of my settings have gone to an alternate universe.
I have another issue which may be related.
When I purchased Finale 2007 I also bought the stand alone Garritan Personal Orchestra which has many more sound samples than the bare bones version that comes with Finale. I have been going bonkers trying to get Finale to recognize Garritan Personal Orchestra. I have no idea what I did, but in the dozens of installations - un-installations - re-installations I've done of both in the past two days somehow I blundered into something that seems to work. Somewhat...
Without N.I. VST turned on, the Garritan sounds are wonderful, except for the trumpet which sounds more like a Kazzoo being played in a bathroom. (I have reverb OFF) With N.I. VST on the sounds are radically different in timbre and dynamics but the trumpet is marginally better in quality.
There is another issue related to all of this:
Every instrument, except for the English Horn, seems to be hitting each note with a sledgehammer! I've never heard such heavy accents before.
I have the base key velocity turned down to about 40, which makes the sound lower in volume but has no effect on articulation. Even instruments such as strings marked at PPP are heavily accented on each entry.
Finally, any long note - - especially a whole note tied into other measure - - seems to swell dramatically in volume.
There are many other phantom quirks with sound in this setting but I don't see any purpose served by going into detail about it here.
I'm going to attach the Finale file for those of you who may want to hear what I'm doing. I'm re-constructing Aaron Copland's Quiet City from a piano score to full strings with English Horn and Trumpet. (I played this piece on my senior trumpet recital at OSU back in the late 1970's)
Nearly all dynamic setting change radically and without a discernable pattern when moving from one playback method to the other.
Currently NOT using Native Instruments VST gives me somewhat pleasant results but the volume is incredibly low. It's so low I have to turn my speakers up until I hear a system hum without playing anything. With N.I. VST the volume, in general, is where I would expect it but all of my settings have gone to an alternate universe.
I have another issue which may be related.
When I purchased Finale 2007 I also bought the stand alone Garritan Personal Orchestra which has many more sound samples than the bare bones version that comes with Finale. I have been going bonkers trying to get Finale to recognize Garritan Personal Orchestra. I have no idea what I did, but in the dozens of installations - un-installations - re-installations I've done of both in the past two days somehow I blundered into something that seems to work. Somewhat...
Without N.I. VST turned on, the Garritan sounds are wonderful, except for the trumpet which sounds more like a Kazzoo being played in a bathroom. (I have reverb OFF) With N.I. VST on the sounds are radically different in timbre and dynamics but the trumpet is marginally better in quality.
There is another issue related to all of this:
Every instrument, except for the English Horn, seems to be hitting each note with a sledgehammer! I've never heard such heavy accents before.
I have the base key velocity turned down to about 40, which makes the sound lower in volume but has no effect on articulation. Even instruments such as strings marked at PPP are heavily accented on each entry.
Finally, any long note - - especially a whole note tied into other measure - - seems to swell dramatically in volume.
There are many other phantom quirks with sound in this setting but I don't see any purpose served by going into detail about it here.
I'm going to attach the Finale file for those of you who may want to hear what I'm doing. I'm re-constructing Aaron Copland's Quiet City from a piano score to full strings with English Horn and Trumpet. (I played this piece on my senior trumpet recital at OSU back in the late 1970's)